
The terrifying story of a brother and sister who are sent to their grandparents' remote Pennsylvania farm for a weeklong trip. Once the children discover that the elderly couple is involved in something deeply disturbing, they see their chances of getting back home are growing smaller every day.
About The Visit
Artist : Kathryn Hahn, Deanna Dunagan, Peter McRobbie, Ed Oxenbould, Olivia DeJonge, Benjamin KanesAs : Mom, Nana, Pop Pop, Tyler, Becca, Dad
Title : The Visit Full Movie Hindi
Release date : 2015-09-11
Movie Code : 3567288
Duration : 94
Category : Mystery & Suspense, Horror
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The Visit is lightweight and doesn't have the emotional resonance of The Sixth Sense, but it's a welcome return to form for a director who seemed doomed to a future of remembering better days.

[Shyamalan's] manipulation of tone is impressive - he gets you to laugh at the grandparents' strange behavior, only to shift gears into horror when you least expect it.

A relentlessly tense journey into the bizarre, with jolts that linger and some nicely played melancholy. What's more, the movie is often surprisingly, wickedly funny .

An unoriginal faux-doc horror picture that actually works like a demonic charm.

An effective if flawed psychological thriller, a modest campfire story with a solid, genuinely startling twist that is likely to restore the faith of some of [Shyamalan's] critics.

By remaining a smartly staged thriller rather than a formula shocker, it does quite well with precisely what it set out to do: play on all our fears like a Steinway grand piano.

Following a creative low period that found the director trying his hand at effects-driven fantasy and sci-fi, it can't help but come across as a comeback.

Fortunately, The Visit has a lot of (intentional!) laughs between the creepy bits and jump scares, and never takes itself too seriously.

Suffice to say that the result is an effective scare machine and a semi-return to form for its creator.

It's creepy, sure, but not very enjoyable, basement or no.

I hear Hollywood whispers. I feel something is amiss. I see dead directorial reputations. And I smell a comeback.

There's undeniable fun in watching a couple of veteran actors get strange with two newcomers. "The Visit" may be worth one.

Alas, it's a dopey, only mildly chilling, uneasy mix of horror and dark comedy, scoring few points in either category.

Even if there's less chance the audience will burst out in fits of inappropriate chuckles, as was often the case in, say, "The Happening" or "Lady in the Water," Shyamalan still can't quite pull off the delicate tonal balance he's after.

A scary fun-house ride that expertly blends jittery tension and laugh-out-loud humor, it will make you forgive the filmmaker for such major time-wasters as "Lady in the Water," "After Earth" and "The Happening."

Not in the same league as The Sixth Sense, but Shyamalan ends a long dry spell with The Visit. No spoilers, except to say that cheap thrills can still be a blast.

Isn't the whole handheld "real-video" thing kind of old by now? Isn't the Shyamalanian-twist thing kind of old by now, too?

M. Night Shyamalan's latest film may well have been his last chance at redemption. Fortunately, he rises to the challenge and makes The Visit good, scary fun.

Much like Shyamalan's flawed/interesting films "Signs" and "The Village," the filmmaker promises more than he can deliver.

It was fun watching this with a gasping and screaming audience. For horror-goers, the comparative competence must hit the spot. But there's nothing new here - and what I sensed for 94 minutes was compromise.

Dunagan and McRobbie have a blast in their respective roles, alternating between everyday grandparent oddities and behavior that wouldn't be out of place at the Overlook Hotel. And overall, the young duo makes an affable pair of narrators.

The best studio horror flick in recent years, combining the but-what's-in-those-shadows? immersion of The Conjuring, James Wan's basement-wandering simulator, with the crack scripting and meta-cinematic surprises of Shyamalan's best early films.

Startling but never terrifying, "The Visit" may make a little money, but it does not mark a return to long-lost greatness for Shyamalan. It's more of the same, presented on a smaller, cheaper canvas where you can see every flaw all the more clearly.

A messed-up fairy tale that often nails the sweet spot between scaring us and letting us laugh at how scared we are. It's crowd-pleasing horror, the kind that can push moviegoers to the edge of their seats and send them to the water cooler the next day.

It is with some surprise-and perhaps even a hint of disappointment-that I must report that The Visit is merely mediocre and not the breathtaking calamity that we've come to anticipate from its author.

The director M. Night Shyamalan has a fine eye and a nice, natural way with actors, and he has a talent for gently rap-rap-rapping on your nerves.

Despite a promising premise and effective "Shyamalan twist", this low-budget horror film still underwhelms.

While the production values are simple, the script is sneakily complex. Like the best horror merchants, Shyamalan exploits our secret fears - in this case, of old age, ill health and dementia.

The honorable tradition of American moviemakers wringing laughs and gasps from bucolic lunatics dates back to "Murder, He Says" (1945). Unfortunately, "The Visit" isn't part of it.

The result is a bizarre, conflicted mess, horrifying when it's trying to be funny, oddly appealing when it turns the screws.

Frightfully fun, with Shyamalan relentless toying with us and cramming in horror genre references.

The low-budget thriller deftly mixes horror-movie moments, pure strangeness and comedy like a family-friendly David Lynch effort as it takes audiences on one really oddball trip to grandma's house.

Here is a movie in which old people are scary because they're senile and icky and incontinent and do baffling things. And they're, you know, so old and wrinkly.

For all its intelligence and craft, M. Night Shyamalan's foray into the genre of found-footage horror has the feeling of homework done well.
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